A prizewinner of the prestigious International Malko Conducting Competition, Tong Chen has become one of her generation's most promising and exciting young conductors.
In season 2023-24, Ms.Chen will make her conducting debut with the Minnesota Orchestra. Recent debut highlights include concerts with the New York Philharmonic, Vancouver Symphony Orchestra, St. Louis Symphony Orchestra, Rochester Philharmonic Orchestra, and Ann Arbor Symphony Orchestra.
In addition, she was a proud participant in the 2022 Bruno Walter National Conductor Preview. Tong Chen served as the assistant conductor of the New Jersey Symphony from 2021-23, worked closely with music director Maestra Xian Zhang, and shared podiums with Xian on many occasions, including Tong's subscription concerts debut, World Premiere of Fantasia on Sae Taryeong at Lunar New Year Concert. She brought many education concerts to young people throughout New Jersey State during her tenure.
Tong has worked with numerous orchestras across the globe, including the Orquestra Sinfônica do Estado de São Paulo, Mikkelin Kaupunginorkesteri, Besançon Symphony Orchestra, Leipzig Symphony Orchestra, Alabama Symphony Orchestra, Charleston Symphony Orchestra, Louisiana Philharmonic Orchestra, Lexington Philharmonic Orchestra, and Richmond Symphony. In 2015, she debuted Lincoln Center at David H. Koch Theater with the Paul Taylor Dance Company and Orchestra of St. Luke's. Tong has worked with Gustavo Dudamel of the Los Angeles Philharmonic, Ivan Fischer of the Budapest Festival Orchestra, and a regular cover conductor of Gianandrea Noseda with the National Symphony Orchestra of Washington, DC.
Born in Shanghai, China, Ms. Chen is a regular guest conductor with orchestras throughout China, including the Shanghai Philharmonic, Xia Men Philharmonic, Qing Dao Symphony Orchestra, Guang Zhou Symphony Orchestra, and the Shanghai Opera House, where she started her career as the assistant conductor for five seasons at the age of 19.
Founder of the new music project, "NOW!" Tong has commissioned and performed new compositions throughout different cultural backgrounds and genres. Recent world premieres include Allen Shawn's Concerto for Clarinet and Cello, one of the last pieces commissioned by Benny Goodman; Ellis Marsalis' "The Fourth Autumn," arranged by Hannah Yim; "Thu Diếu" by Viet Cuong, and "Queenie Pie Suite" by Duke Ellington and the US premiere of Grammy winner Samuel Torres's Regreso.
An education advocate, Chen taught orchestral conducting and led the Copland School of Music orchestral program from 2012-2018. She is a regular guest conductor at the Manhattan School of Music and a guest lecturer at the Shanghai Conservatory of Music.
A protégé of the former Music Director of the New York Philharmonic, Kurt Masur, Ms. Chen was awarded the Mendelssohn Scholarship in 2012, allowing her to study Mendelssohn's music and serve as the assistant conductor for Maestro Masur at the Gewandhaus in Leipzig. Tong's primary studies were with Gustav Meier at the Peabody Conservatory, where she received her Master of Arts in conducting. In addition, she attended the Aspen Music Festival, where she worked with David Zinman, and the Cabrillo Festival, where she studied with Marin Alsop.
In season 2023-24, Ms.Chen will make her conducting debut with the Minnesota Orchestra. Recent debut highlights include concerts with the New York Philharmonic, Vancouver Symphony Orchestra, St. Louis Symphony Orchestra, Rochester Philharmonic Orchestra, and Ann Arbor Symphony Orchestra.
In addition, she was a proud participant in the 2022 Bruno Walter National Conductor Preview. Tong Chen served as the assistant conductor of the New Jersey Symphony from 2021-23, worked closely with music director Maestra Xian Zhang, and shared podiums with Xian on many occasions, including Tong's subscription concerts debut, World Premiere of Fantasia on Sae Taryeong at Lunar New Year Concert. She brought many education concerts to young people throughout New Jersey State during her tenure.
Tong has worked with numerous orchestras across the globe, including the Orquestra Sinfônica do Estado de São Paulo, Mikkelin Kaupunginorkesteri, Besançon Symphony Orchestra, Leipzig Symphony Orchestra, Alabama Symphony Orchestra, Charleston Symphony Orchestra, Louisiana Philharmonic Orchestra, Lexington Philharmonic Orchestra, and Richmond Symphony. In 2015, she debuted Lincoln Center at David H. Koch Theater with the Paul Taylor Dance Company and Orchestra of St. Luke's. Tong has worked with Gustavo Dudamel of the Los Angeles Philharmonic, Ivan Fischer of the Budapest Festival Orchestra, and a regular cover conductor of Gianandrea Noseda with the National Symphony Orchestra of Washington, DC.
Born in Shanghai, China, Ms. Chen is a regular guest conductor with orchestras throughout China, including the Shanghai Philharmonic, Xia Men Philharmonic, Qing Dao Symphony Orchestra, Guang Zhou Symphony Orchestra, and the Shanghai Opera House, where she started her career as the assistant conductor for five seasons at the age of 19.
Founder of the new music project, "NOW!" Tong has commissioned and performed new compositions throughout different cultural backgrounds and genres. Recent world premieres include Allen Shawn's Concerto for Clarinet and Cello, one of the last pieces commissioned by Benny Goodman; Ellis Marsalis' "The Fourth Autumn," arranged by Hannah Yim; "Thu Diếu" by Viet Cuong, and "Queenie Pie Suite" by Duke Ellington and the US premiere of Grammy winner Samuel Torres's Regreso.
An education advocate, Chen taught orchestral conducting and led the Copland School of Music orchestral program from 2012-2018. She is a regular guest conductor at the Manhattan School of Music and a guest lecturer at the Shanghai Conservatory of Music.
A protégé of the former Music Director of the New York Philharmonic, Kurt Masur, Ms. Chen was awarded the Mendelssohn Scholarship in 2012, allowing her to study Mendelssohn's music and serve as the assistant conductor for Maestro Masur at the Gewandhaus in Leipzig. Tong's primary studies were with Gustav Meier at the Peabody Conservatory, where she received her Master of Arts in conducting. In addition, she attended the Aspen Music Festival, where she worked with David Zinman, and the Cabrillo Festival, where she studied with Marin Alsop.